Blouse designs

the pattern I used as a basis was intended for a dress with raglan sleeves and a wrinkled neckline. Often with raglan sleeves a dart is needed at the top of the shoulders to get rid of excess fabric around the neckline. A wrinkled neckline solves that problem too and adds a decorative element. Most of the width of the inital pattern was in the bodice of the dress. The armscye is always a tricky part, so I left it exactly as it was. To reduce the width in the bodice, I took out approximately 10 cm in the middle and adjusted the neckline a bit. Because it’s such a loose blouse, the side seams are straight without any darts at bust height, which made it easy to adjust the pattern like this.

the pattern I used as a basis was intended for a dress with raglan sleeves and a wrinkled neckline. Often with raglan sleeves a dart is needed at the top of the shoulders to get rid of excess fabric around the neckline. A wrinkled neckline solves that problem too and adds a decorative element. Most of the width of the inital pattern was in the bodice of the dress. The armscye is always a tricky part, so I left it exactly as it was. To reduce the width in the bodice, I took out approximately 10 cm in the middle and adjusted the neckline a bit. Because it’s such a loose blouse, the side seams are straight without any darts at bust height, which made it easy to adjust the pattern like this.

1. Beautiful and simple work raw silk saree blouse design in  Purple color with short sleeves and kundan, sequins work embellished heavy applique around the neck and on the hands. Matching purple color heavy stones and white zircon stones highlight in the blouse.

2. Deep Maroon silk puffed sleeves saree blouse design with heavy yellow and maroon stone, sequins, crystals work embellished around the neck and sleeves with designer 'V' neck. Nice gold thread maggam work highlighted in the blouse, suitable for silk sarees and light color plain sarees.

3. Red malai silk saree blouse design with short hands, gold and silver combination maggam, jardhosi work around the neck with round neck pattern, gold poka dots all over the blouse, ready to ship this blouses.

This type of body painting is world famous for its traditional beauty; the art of their rituals and customs of Marwari caste. When we look through their designs, we get to see the unique presentations of henna, the use of various flowers, leaves, paisley [mango shape] and a strong reflection of the Indian tradition style. The most viewed part and also we can say the signature of Rajasthani and Marwari mehndi designs are the sculpture of bride and groom in almost all of their designs. The best part of Rajasthani design is its "mirror reflecting image" art. In it, both hands and legs are exactly the mirror to one another, which is why it is considered to be a really difficult art form.

he pattern I used as a basis was intended for a dress with raglan sleeves and a wrinkled neckline. Often with raglan sleeves a dart is needed at the top of the shoulders to get rid of excess fabric around the neckline. A wrinkled neckline solves that problem too and adds a decorative element. Most of the width of the inital pattern was in the bodice of the dress. The armscye is always a tricky part, so I left it exactly as it was. To reduce the width in the bodice, I took out approximately 10 cm in the middle and adjusted the neckline a bit. Because it’s such a loose blouse, the side seams are straight without any darts at bust height, which made it easy to adjust the pattern like this.

he pattern I used as a basis was intended for a dress with raglan sleeves and a wrinkled neckline. Often with raglan sleeves a dart is needed at the top of the shoulders to get rid of excess fabric around the neckline. A wrinkled neckline solves that problem too and adds a decorative element. Most of the width of the inital pattern was in the bodice of the dress. The armscye is always a tricky part, so I left it exactly as it was. To reduce the width in the bodice, I took out approximately 10 cm in the middle and adjusted the neckline a bit. Because it’s such a loose blouse, the side seams are straight without any darts at bust height, which made it easy to adjust the pattern like this.

 he pattern I used as a basis was intended for a dress with raglan sleeves and a wrinkled neckline. Often with raglan sleeves a dart is needed at the top of the shoulders to get rid of excess fabric around the neckline. A wrinkled neckline solves that problem too and adds a decorative element. Most of the width of the inital pattern was in the bodice of the dress. The armscye is always a tricky part, so I left it exactly as it was. To reduce the width in the bodice, I took out approximately 10 cm in the middle and adjusted the neckline a bit. Because it’s such a loose blouse, the side seams are straight without any darts at bust height, which made it easy to adjust the pattern like this.

Blouse is the upper complementary portion of a Saree. with out uniquely designs blouse it seems incomplete. As usual we are here to cast light on the unique Saree blouse just see our collection.Blouse is the upper complementary portion of a Saree. with out uniquely designs blouse it seems incomplete. As usual we are here to cast light on the unique Saree blouse just see our collection.Blouse is the upper complementary portion of a Saree. with out uniquely designs blouse it seems incomplete. As usual we are here to cast light on the unique Saree blouse just see our collection.

bridal makeup

The bridal wear for south Indian weddings is no exception from the glitter and regal luster which are already a part of most South Indian weddings. The heavily embroidered south Indian silk sarees are still a big hit among most south Indian brides. In fact, traditional Iyengar and Iyer brides need to drape the traditional 9-yard saree in the “madisar” style. The bridal sari is chosen with a lot of care and along with her make up and hair, the saree is topmost priority for every south Indian bride.

When chirpy reader Annie wrote to me asking for some advice on her makeup for her upcoming wedding, I was beyond thrilled to share what I knew with her. Now, I am not married yet, but many of my friends have been and I have learnt a lot from their wedding makeup woes. This is what I wrote to Annie...I hope it helps other brides to be.

When you read it you will notice that I talk about humidity a lot, that because I have tried to aim this for brides getting married in summer / rainy season in India. Again, all this is just my opinion, something that I think I would do if I were to get married. Please feel free to share your tips and tricks to help other brides look their best on one of the most important days of their lives.Before you start applying makeup run an ice cube all over your exfoliated face and neck. It helps with the pores, makes you feel fresh.

Invest in a great concealer and an under eye brightener. I personally think a great concealer is much more important than foundation.

Rec: Laura Mercier Secret Camouflage, MAC Moisture cover / Studio Fix, Stila Perfecting / Illuminating concealer, Bobbi brown Corrector , Cream Concealer, Conceal FX by Cover FX.

You never know when you might end up getting the dreaded pimple on your face. So keep a concealer, spot acne treatment handy to combat that acne. Don't let that tiny spot ruin your perfect face. Slather some acne treatment, concealer and hide it .

 The face, eyes, lips and the neck should be done to match to the bridal costumes and jewelry perfectly. It is also important to shape your eyebrow ahead the wedding day. A tip which will surely add to your looks on your big day is to place the focus on the face either on your eyes or lips. You should underplay the other using neutral shades of brown or pink. Depending on the size of your lips, you can choose among light and deep shades. Generally, thin and small lips look more appealing with light lip colors. If you have fuller lips, you can use deep shades for a sensuous

The face, eyes, lips and the neck should be done to match to the bridal costumes and jewelry perfectly. It is also important to shape your eyebrow ahead the wedding day. A tip which will surely add to your looks on your big day is to place the focus on the face either on your eyes or lips. You should underplay the other using neutral shades of brown or pink. Depending on the size of your lips, you can choose among light and deep shades. Generally, thin and small lips look more appealing with light lip colors. If you have fuller lips, you can use deep shades for a sensuous look.

bridal jwellery designs

                                                         Jewellery designs

Jewellery can also be symbolic of group membership, as in the case of the Christian crucifix or Jewish Star of David, or of status, as in the case of chains of office, or the Western practise of married people wearing a wedding ring.

Wearing of amulets and devotional medals to provide protection or ward off evil is common in some cultures; these may take the form of symbols (such as the ankh), stones, plants, animals, body parts (such as the Khamsa), or glyphs (such as stylised versions of theThrone Verse in Islamic art).^[6]

Beads are frequently used in jewellery. These may be made of glass, gemstones, metal, wood, shells, clay and polymer clay. Beaded jewellery commonly encompasses necklaces, bracelets, earrings, belts and rings. Beads may be large or small; the smallest type of beads used are known as seed beads, these are the beads used for the "woven" style of beaded jewellery. Another use of seed beads is an embroidery technique where seed beads are sewn onto fabric backings to create broad collar neck pieces and beaded bracelets. Bead embroidery, a popular type of handwork during the Victorian era, is enjoying a renaissance in modern jewellery making. Beading, or beadwork, is also very popular in many African and indigenous North American cultures

Outside of Africa, the Cro-Magnons had crude necklaces and bracelets of bone, teeth, berries, and stone hung on pieces of string or animal sinew, or pieces of carved bone used to secure clothing together. In some cases, jewellery had shell or mother-of-pearl pieces. In southern Russia, carved bracelets made of mammoth tusk have been found. The Venus of Hohle Fels features a perforation at the top, showing that it was intended to be worn as a pendant.

Around 7,000 years ago, the first sign of copper jewellery was seen.^[5] In October 2012 the Museum of Ancient History in Lower Austria revealed that they had found a grave of a female jewellery worker - forcing archaeologists to take a fresh look at prehistoric gender roles after it appeared to be that of a female fine metal worker - a profession that was previously thought to have been carried out exclusively by men.

Jewellery in the Indus Valley was worn predominantly by females, who wore numerous clay or shell bracelets on their wrists. They were often shaped like doughnuts and painted black. Over time, clay bangles were discarded for more durable ones. In present-day India, bangles are made out of metal or glass. Other pieces that women frequently wore were thin bands of gold that would be worn on the forehead, earrings, primitive brooches, chokers, and gold rings. Although women wore jewellery the most, some men in the Indus Valley wore beads. Small beads were often crafted to be placed in men and women’s hair. The beads were about one millimetre long.

A female skeleton (presently on display at the National Museum, New Delhi, India) wears a carlinean bangle (bracelet) on her left hand.

According to Hindu belief, gold and silver are considered as sacred metals. Gold is symbolic of the warm sun, while silver suggests the cool moon. Both are the quintessential metals of Indian jewellery. Pure gold does not oxidise or corrode with time, which is why Hindu tradition associates gold with immortality. Gold imagery occurs frequently in ancient Indian literature. In the Vedic Hindu belief of cosmological creation, the source of physical and spiritual human life originated in and evolved from a golden womb (hiranyagarbha) or egg (hiranyanda), a metaphor of the sun, whose light rises from the primordial waters.^[

TheEastern successor of the Roman Empire, the Byzantine Empire, continued many of the methods of the Romans, though religious themes came to predominate. Unlike the Romans, the Franks, and the Celts, however, Byzantium used light-weight gold leaf rather than solid gold, and more emphasis was placed on stones and gems. As in the West, Byzantine jewellery was worn by wealthier females, with male jewellery apparently restricted to signet rings. Woman's jewellery had some peculiarities like kolts that decorated headband. Like other contemporary cultures, jewellery was commonly buried with its owner.

They worked two styles of pieces: cast pieces and pieces hammered out of sheet metal. Fewer pieces of cast jewellery have been recovered. It was made by casting the metal onto two stone or clay moulds. The two halves were then joined together, and wax, followed by molten metal, was placed in the centre. This technique had been practised since the lateBronze Age. The more common form of jewellery was the hammered sheet type. Sheets of metal would be hammered to thickness and then soldered together. The inside of the two sheets would be filled with wax or another liquid to preserve the metal work. Different techniques, such as using a stamp or engraving, were then used to create motifs on the jewellery. Jewels may then be added to hollows or glass poured into special cavities on the surface. The Greeks took much of their designs from outer origins, such as Asia, whenAlexander the Great conquered part of it. In earlier designs, other European influences can also be detected. When Roman rule came to Greece, no change in jewellery designs was detected. However

Cro-Magnons had crude necklaces and bracelets of bone, teeth, berries, and stone hung on pieces of string or animal sinew, or pieces of carved bone used to secure clothing together. In some cases, jewellery had shell or mother-of-pearl pieces. In southern Russia, carved bracelets made of mammoth tusk have been found. The Venus of Hohle Fels features a perforation at the top, showing that it was intended to be worn as a pendant.

Around 7,000 years ago, the first sign of copper jewellery was seen.^[5] In October 2012 the Museum of Ancient History in Lower Austria revealed that they had found a grave of a female jewellery worker - forcing archaeologists to take a fresh look at prehistoric gender roles after it appeared to be that of a female fine metal worker - a profession that was previously thought to have been carried out exclusively by men.

Although artistic display has clearly been a function of jewellery from the very beginning, the other roles described above tended to take primacy.^{[citation needed]} It was only in the late 19th century, with the work of such masters as Peter Carl Fabergé and René Lalique, that art began to take primacy over function and wealthBeads are frequently used in jewellery. These may be made of glass, gemstones, metal, wood, shells, clay and polymer clay. Beaded jewellery commonly encompasses necklaces, bracelets, earrings, belts and rings. Beads may be large or small; the smallest type of beads used are known as seed beads, these are the beads used for the "woven" style of beaded jewellery. Another use of seed beads is an embroidery technique where seed beads are sewn onto fabric backings to create broad collar neck pieces and beaded bracelets. Bead embroidery, a popular type of handwork during the Victorian era, is enjoying a renaissance in modern jewellery making. Beading, or beadwork, is also very popular in many African and indigenous North American cultures

chaniy choli designs

Kutch embroidery is an evolving expression of the craft and textile traditions of the Rabaris, a nomadic tribe in Gujarat.Kutch work is unique in the sense that a net is woven on a cloth using thread.The net is then filled in using the same thread by intricate interlocking stitches. The patterns are usually built around geometric shapes.This embroidery follows its own traditional design logic and juxtaposition of colours and motifs.^[11] The Rohanas tribals of Kutch specialise in skirt work. The Sodhas use a geometric style for their embroidery. The Garacia Jats are experts in tiny embroidery on the yoke, which intermingles with red, orange, blue and green threads.

The Luanchari is made up of two parts, the upper part is called choli it is made of the same fabric as of the lehanga but it is not uncommon to find the two pieces of the garment in different colours. The choli is stitched to the lehanga, to make one-piece luanchari. That one finds commonly worn by the women in Pahari miniatures, and is quite similar to lehanga. It takes well over 16 to 21 yards to make a complete Luanchari.

The lehenga choli is the favourite female apparel worn during festivals, weddings or special events in India. This is due to traditions as well as of the fact that it is available in a number of fabrics with many different decorative choices. Traditionally the sari and the lehenga choli are the most popular garments for the bride in India.But it is a common bridal attire mostly in North India.

 Beautiful eye-catching color & Fabric of this Lehenga Choli are looking very amazing. Styles Indian unveils the new collection for the summer season. They look gorgeous & Its Designer pattern gives it a more delicate and feminine touch...comes With a Marvelous Bandhej Dupatta Both ends of the dupatta adorn with shells & Mirror attached with Silver Beads string which make a nice sound. It Contains Half Sleeves, Sequins, Shells & Round Neck Pretty Choli with Draw String At back part. You can try out this Unique Lehenga Choli for any festival this will Surely gives a Marvelous Look. Just buy this Excursive Designer Lehenga Choli.

Kutch embroidery is an evolving expression of the craft and textile traditions of the Rabaris, a nomadic tribe in Gujarat.Kutch work is unique in the sense that a net is woven on a cloth using thread.The net is then filled in using the same thread by intricate interlocking stitches. The patterns are usually built around geometric shapes.This embroidery follows its own traditional design logic and juxtaposition of colours and motifs.^[11] The Rohanas tribals of Kutch specialise in skirt work. The Sodhas use a geometric style for their embroidery. The Garacia Jats are experts in tiny embroidery on the yoke, which intermingles with red, orange, blue and green threads. The Dhanetah Jats love embroidering broad pear-shaped mirrors using orange, black, yellow and red in chain stitch.

 Beautiful eye-catching color & Fabric of this Lehenga Choli are looking very amazing. Styles Indian unveils the new collection for the summer season. They look gorgeous & Its Designer pattern gives it a more delicate and feminine touch...comes With a Marvelous Bandhej Dupatta Both ends of the dupatta adorn with shells & Mirror attached with Silver Beads string which make a nice sound. It Contains Half Sleeves, Sequins, Shells & Round Neck Pretty Choli with Draw String At back part. You can try out this Unique Lehenga Choli for any festival this will Surely gives a Marvelous Look. Just buy this Excursive Designer Lehenga Choli.Wonderful Beige color dupion silk lehenga choli is beautified with sparkling sequins, jari, jardozy, beads, diamond, stones and resham embroidery work.Exclusive combination of bottle green and Maroon color dupatta with contrast border and charming latkan is representing a royalty in itself. Outfit is an opportunity to look best and to suit your style.Wonderful Beige color dupion silk lehenga choli is beautified with sparkling sequins, jari, jardozy, beads, diamond, stones and resham embroidery work.Exclusive combination of bottle green and Maroon color dupatta with contrast border and charming latkan is representing a royalty in itself. Outfit is an opportunity to look best and to suit your style.

Maroon lehenga heavily embellished with sequins, stones, beads, zardosi, zari and resham embroidery work in floral designs. Also includes net patch which is highlighted with sequins, stones, beads, zari and resham embroidery work. Choli in maroon with sequins, stones and beads work on it. Comes with a beautiful matching net dupatta with a heavily embellished border in sequins, stones, beads and zari embroidery work. Maroon lehenga heavily embellished with sequins, stones, beads, zardosi, zari and resham embroidery work in floral designs. Also includes net patch which is highlighted with sequins, stones, beads, zari and resham embroidery work. Choli in maroon with sequins, stones and beads work on it. Comes with a beautiful matching net dupatta with a heavily embellished border in sequins, stones, beads and zari embroidery work.